No. 14 of 50 — Significant Objects, v3

[This is the third installment in a four-part story by the members of Kasper Hauser. The auction for this object, with story by Dan Klein, has ended. Original price: 50 cents. Final price: $38.50. Significant Objects will donate the proceeds of this auction to Girls Write Now.]

I commissioned this sculpture of Fries n’ a Shake in 1990, or thereabouts. He was a great horse. A zoo horse. The sculpture commemorates the moment Fries n’ a Shake realized that zoos are a godsend and that work sucks. This is him kicking down the doors to get back in. I saw this happen while I was hosing down some lizards, and it made a huge impression on me.

Two days later is the day that Joanie left me the origami note. She and Dad were gone. The oldest girlfriend I ever had. But at least I had a new mission in life: a zoo that wasn’t racist against livestock.

Tomorrow, The Conclusion: “Brass” Pitcher.

Object No. 93 of 100

[The auction for this Significant Object, with story by Kate Bernheimer, has ended. Original price: $1. Final price: $104.50.]

A long time ago, I was very poor and often traded my body for cigarettes, Chelada, or food (in order of preference). I had two children — both daughters — and together we lived in a motel on the coast. It was a knotty-pine kitchenette cabin, and came furnished with a teapot, a few chipped flowered plates, some utensils, and bedding. The cabin overlooked a paved parking lot and beyond it, the beach. If a man came to visit, I sent my youngest girl out to find driftwood and starfish and shells. (Her sister was in kindergarten, so always gone in the morning.) There was no market for these trinkets among tourists; but they were precious to my little girls, truly their only possessions. We washed them and kept them along the edge of the porch rail and inside, on the white windowsills, which otherwise were very empty, apart from a pink horse my youngest had found in the woods. That pink horse! How she loved it. Once when she had gone a very long way to gather her treasures — all the way under a natural tunnel inside the cliffs, which led to a narrow beach that would trap you and kill you if you were stuck there during high tide — an old woman with pink hair approached her and sang her a song. My daughter told me about this old woman, but I didn’t believe her. Later that week, my girl brought home a sea urchin, closed. She said that when the sea urchin opened, the old woman would return and that she had promised then to bring us good luck. I got an empty jar from the cupboard — it had once been full of beach plum jelly but had been long gathering dust. We walked down to the edge of the ocean and filled it with water. Back in the cabin, we placed the closed sea urchin carefully into the water, where it sank and stayed closed. The next morning my littlest girl didn’t wake up and the sea urchin had bloomed. It was on her grave that my other daughter placed the pink horse. Then she too was taken — by the high tide — the very same week. She’d gone into the magic tunnel. Now I do nothing but drink Chelada all day, haunted by pink. Pink urchins, pink cigarettes. Pink horse, pink horse, pink horse on the grave — if ever the pink horse flies into the sky, your daughters will come back to life. The pink-haired old woman sang that to me once when I passed out in the sand. For now, there you stand in the dark of the wood — beautiful, all-powerful, and silent. Pink horse, you are everything, and everything is everlasting in you.

[The auction for this Significant Object, with story by Dean Haspiel, has ended. Original price: $2. Final price: $6.75.]

Kentucky reminds me of my first and, probably, only encounter with a friend whom aliens had, supposedly, abducted. In the late 1980s, I co-created and drew a comic book mini-series with a writer who lived in Kentucky. I wanted to draw a sequel and I decided it would be best to knock brainpans face-to-face. So, I saved up some monies and booked a weekend flight to Louisville, where the writer lived at the time with his wife.

He was late in picking me up and, out of boredom, I circled the paltry airport gift shops and was blindsided by the golden light and piercing black eyes from what looked like a stained glass horse trapped inside a porcelain dish. Emblazoned in classy golden letters was the word, “Kentucky.” I had to buy it. However, I couldn’t own it. Not in my house. So, it would become an impromptu house gift.

That first evening, the wife pulled me into the kitchen, and alerted me that aliens had regularly abducted her poor husband. With tears in her eyes and a tremble in her voice she told me that he would go missing for a night, sometimes days, and would come back home deranged and depressed, his mind fried, his body despondent. They weren’t having sex any more and she was worried he would be abducted forever.

What had I walked into? The writer’s depression was soon confirmed when, that night, I discovered him sitting in a chair, alone in another room, facing the wall in the dark. I asked him if he was okay and he told me that his head hurt.

The next day he seemed to be feeling better but said he couldn’t work just yet. So, he took me for a long drive around his stomping grounds and introduced me to a very sexy young woman with dark hair. I don’t remember her name, but let’s call her Janice. Suddenly, my pal was radiating sunrays. He seemed smitten with Janice, but cautious. She was a Philly, a true Kentucky dish. So, I could empathize with the extra skip in his step. But the second Janice was gone, he fell back into a morbid slumber. I was starting to get pissed off, especially since he wasn’t telling me about his cosmic anal probes and instead was moping about like a 12-year old.

He suggested we drive home and try to write. After an hour or so, he looked at me with swollen eyes and told me his head hurt. He walked into his bedroom and shut the door. Like a looming specter, his wife floated over from the kitchen and, after a very long pause, suggested we call Janice over for dinner. She had heard of Janice but never met her and thought a single guy like me might like her. “Sure, why not?” I sighed.

My writer pal appeared at the dinner table, but was incredibly uncomfortable. His wife mollycoddled him while Janice launched a campaign of woo towards me that was so paramount it was a parody. They turned in early — but Janice decided to hang out with me. Talking turned into touching and the natural evolution of two naked people doing what they’re known to do. We rolled around and smashed into something so hard it cracked. It was the Kentucky dish, and it was in pieces.

Janice split early the next morning and my pal stumbled out of his bedroom door in a near coma. His eyelid batted a catatonic wink to acknowledge me as he shuffled into the bathroom. His frightened wife snuck out of their bedroom towards me and whispered that she thought he had been abducted by aliens last night but found him in their closet, standing and staring at wire hangers.

Back home in NYC, I wrote our proposed sequel myself. I never drew it but it broke my cherry to write and draw my own comix. My Kentucky pal would later divorce his wife and write other, great stories that won awards. It was years before it occurred to me that he hadn’t been abducted by aliens at all.

[The auction for this Significant Object, with story by Sloane Crosley, has ended. Original price: 99 cents. Final price: $57.66.]

Alec Baldwin never had a Bar Mitzvah. The non-fact of this, the bloated lack in the calendar of his mind, haunted him. How could he be a sterling example of manhood to little Billy, Danny and Stevie if he wasn’t even a man himself?

Then, in 2002, Alec attended the International Conference of Music and Theatre in Chicago, Illinois where the keynote speaker was one Michael Jackson. The conference, previously held in The Drake hotel, had moved to the Marriott. But Alec, who had ignored e-mails regarding the venue change, showed up at The Drake.  Furious, he called his then-4-year-old daughter just to bitch about the situation.  That’s when he heard someone shout his name. It was Michael Jackson himself.

Michael too had gotten the right address wrong. Or the wrong address right.  He urged Alec to join him in the bar, where they ordered sidecars and a ramekin of Kahlua for Michael. The two men, as they would come to find out over the next few hours, both turned 13 in 1971.  As celebrities do, they kinda sorta knew each other from being famous. Though one was more so than the other.  In 1971, Jackson went solo.  In 1971, Baldwin walked to the 7-11, got a Slurpee, and drank it while doing his homework.

As the night stretched on, it came out that Michael had also never been Bar Mitzvahed. He also wasn’t Jewish, a fact which saddened Michael almost as much as it did Alec.

“Let’s do it tonight,” said Michael, dipping his pinky into the Kahlua and sucking on it, “let’s have a joint, belated Bar Mitzvah. I can arrange for us to have a rabbi and a caricaturist here in 10 minutes.”

“Tonight?” chuckled Alec. “Who’s bad?” He shook his head.

In the end, they compromised. If they couldn’t have an actual Bar Mitzvah, they at least wanted the trappings. Maybe a sombrero or a pair of boxers that read “I Danced My Pants Off At Michael & Alec’s Bar Mitzvah!” They journeyed to the gift shop, and found exactly what they were looking for: A whole shelf of rainbow sand-filled horses. Beautiful plastic stallions with long necks that reached above the snow globes and miniature Sears Towers. They each bought one and took them outside.

“Now what?” said Alec.

“Now,” said Michael, unscrewing the cap of his rainbow steed, “we write two things on slips of paper: our hopes and dreams and how we think we’re going to die.”

“Isn’t that three things?”

“And then we put the paper in this horse and shake it down to the middle and bury it in our backyards, and say a Jewish prayer when we do.”

“Jesus, you’ve really thought this out.”

“It’s just how my mind works,” said Michael, ripping a piece of scrap paper from his day planner.

He borrowed a pen from the doorman, which Alec kept. Alec finished first.

“Caught on your hopes and dreams, huh?” said Alec.

“No,” Michael scribbled solemnly, “it’s just that I know exactly how I’m going to die and I want to get every detail in there.”

And so they shook their notes into the sand and parted ways, promising to bury their horses.  Which Alec did as soon as he got home. But Michael, whose motivations were more about a good party than a spiritual reckoning, completely forgot about the entire episode. He wasn’t even unpacking his own suitcase by this time.  A Neverland butler took the sand horse down to the basement, and threw it in a cardboard box marked “MICHAEL’S RANDOM CRAP.”

There it sat for 7 years, gathering dust. I know, it was in a box. But whatever, there was dust. It’s a big house to clean. The sand horse was not among the pricey Access Hollywood-exposed gems of the Neverland auction. It was simply overlooked. This is not only a beautiful specimen of kitsch, but it contains the hopes, dreams, and death visions of Michael Jackson. The sand, it should be noted, has never been poured out.